Leben wir in der Endzeit einer Fast-Vergangenheit oder in der Vorzeit einer entfernten Zukunft? (Are we living in the end times of an almost-past or in the dawn of a distant future?) In magical images in between times a woman with many facets emerges: She is feminist, mythical, post-positivist, utopia-disillusioned, bureaucratically lethal. She is Kali, the Indian Goddess of destruction, and she is also Vera Zarovitch from the matriarchal utopian novel Mizora (1880) and she is Reni, a cabaret artist of the 20s.

Das Individuum ist emotional weniger krisenresistent als man hätte annehmen können. ((The individual is emotionally less resistant to crises than one might have thought)). Jumping directly into a scene: The woman leaves the sparkling dark of the night behind and travels into pure darkness. She is an imagined heroine, who’s fur coat emits suspicions of improper behavior. Her deeds are sustainable per se. No doubts can scratch her moral varnish. Her egomania is so all - encompassing that a new personal pronoun must be invented. Where will her journey lead her?

Auslöschung ist erst, wenn die Nicht-Existenz von Gedanken Tatsache geworden ist. ((Only when the non-existence of thoughts has become a fact will there be annihilation))